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Mos def the ecstatic cover
Mos def the ecstatic cover









I hateconditions that are inflicted upon the people-and they're helpless with it. It's more than the people that they are, it's the assumption that they represent. You have to experience life, make observations, ask questions . I'm not trying to manipulate people's thoughts or sentiments. Speaking with Spank Rock for Interview magazine, Mos Def expressed a jadedness with the commodifying aspect of the hip hop industry and elucidated his artistic goals at the time: The shape of the album, along with his repeated ventures away from recording hip hop, left "some fans wondering if Mos Def's acting accomplishments were finally affecting his music", PopMatters critic Quentin B.

mos def the ecstatic cover

In 2006, his third album True Magic was released haphazardly by Geffen Records to fulfill a contractual obligation while he was devoting more time to his acting career. Backgroundīy the mid 2000s, Mos Def had establishment himself as one of hip hop music's leading auteurs with records that sold millions of copies while realizing a pan-African worldview, although the rapper grew increasingly wary of the music industry. However, it struggled tomainstream audiences beyond Mos Def's fan base and led the already disillusioned rapper further away from the music industry, resulting in less recorded work from him over subsequent years. Some publications ranked it among the greatest albums of the 2000s decade, including The Times at number 30.

mos def the ecstatic cover

As his DJ on the tour, Preservation began to develop remixes of the album's songs, which he later released on the remix album The REcstatic in 2013.Ī widespread critical success, The Ecstatic was viewed as a benefit to form for Mos Def and one of the best albums from 2009, with reviewers applauding its exuberant musical feel, adventurous creative range, and shrewd lyrical performances. To further support the album, Mos Def embarked on an international tour with concerts in North America, Japan, Australia, and the United Kingdom between August 2009 and April 2010.

#MOS DEF THE ECSTATIC COVER CODE#

Its sales benefited from its presence on Internet blogs and the release of a T-shirt illustrating the record's packaging alongside a names printed with a code redeemable for a free download of the album. The Ecstatic charted at number nine on the Billboard 200 in its first week of release and eventually sold 168,000 copies. For the album's front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in red tint. Mos Def titled the album after one of his favorite novels, Victor LaValle's The Ecstatic 2002, believing its titular phrase evoked his singular musical vision. Its generally structured, lightly reverbed songs ownership unconventional time signatures and samples taken from a vintage of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def's raps about global politics, love, war, spirituality, and social conditions are informed by the zeitgeist of the unhurried 2000s, Black internationalism, and Pan-Islamic ideas, incorporating a number of Islamic references throughout the album. The work of Stones Throw rapper MF Doom was also cited by Mos Def as an influence, while singer Georgia Anne Muldrow, formerly of the record label, performed as one of the album's few client vocalists, along with rappers Slick Rick and Talib Kweli.ĭescribed by music journalists as a conscious and alternative hip hop record, The Ecstatic attribute an eccentric, internationalist quality. Flash, Oh No, and Madlib, with the latter two reusing instrumentals they had offered on Stones do Records. He worked with producers such(a) as Preservation, Mr. After venturing further away from hip hop with an acting career in addition to two poorly received albums, Mos Def signed a recording contract with Downtown in addition to recorded The Ecstatic primarily at the Record Plant in Los Angeles. The Ecstatic is the fourth album by American rapper Mos Def, released on June 9, 2009, by the independent record tag Downtown Records.









Mos def the ecstatic cover